Australian Fine Artist

Archive for the ‘Business Studies’ Category

Painting Workshops – Ethics and Copyright

Many of us who are training to be professional artists, or are keen amateurs attend regular workshops with professional art teachers.

Learning from established artists is a long tradition going back to prior to the Renaissance. In the Middle Ages and Renaissance it was common for artists to take on apprentices who over years learnt about the materials as well as methods and techniques to painting and drawing. Later in their training, they were allowed to participate in completed works with their ‘master’. Leonardo da Vinci is a prime example, whose marks are clearly seen in a couple of paintings done by his tutor.

The difference between then and now, is that copyright and intellectual property are more strictly enforced now than they were then, and because of social media and the growth of on-line sales what is done at a workshop, and touched by your tutor may not be yours to sell without their permission, or to say is your own creation.

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Professional Development Workshop

McClelland Gallery and Sculpture Park, Victoria

I  volunteer at the McClelland Gallery which in itself is a great experience. Teaching kids to enjoy art in the Education Department of the Gallery has opened up my options for teaching in the future as well as giving me some great times enjoying how creative kids can be.

The Gallery, to help us be better teachers, supplied a professional training session which I did today. It usually costs others to attend but as volunteers, we are supplied the days for free.

Today we had a morning with the exhibiting artist doing observational drawing and in the afternoon, we had an intensive session about special needs kids and taking care of our own needs as teachers. It was very hands on, which I haven’t photographed (sorry) but included painting eyes closed, sculpting in clay (I did photograph that) eyes closed and expressive intuitive drawing eyes closed.

The drawing was of the HUGE nude male sculpture in the gallery, which we were asked to in context to the room, compared to things and people around it. We had 45 minutes during which I did three sketches. I have included all three here, they were done using a fine liner on plain white cartridge paper and all are around A4 in size.

This workshop is certified so another certificate to hang on the studio wall!

So, in case you may be wondering why I am talking about this, it is to express how volunteering can have benefits that you may not think about initially, just as I didn’t. I thought I would just use my Certificate IV in Training and Assessment rather than letting it go to waste, and maybe get out of the studio and network a bit with other artists. I have gained so much more than that, so it is a big win-win for the gallery, the kids and me.

It has put a bit of pressure on me as I am trying to get assessments done and take care of domestic duties, but I feel when it is important, I can make the time.

A nice additional thing for us attending is we have lunch, and morning and afternoon tea supplied, I took a pic of one of those!

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Why Study Art?

Why TAFEs are so Great at encouraging the Creative in You.

No matter what stage of life you are in, going back to school is never a bad idea. Having been in full time work for over thirty years, I can speak from experience in this regard.

In 2009 I was made redundant from my job as a graphic artist and application specialist. I was burnt out and wondered what in the world I could be good for. My husband, who had been encouraging me to return to painting part time as a time out from the pressures of work, strongly suggested that I try going back to my first passion – art.

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“5” Exhibition at 45 Downstairs

Cathy Drummond, Philip Faulks, Bill Hay, Kristin Headlam and Richard Stringer

February 3-February 14, 2015

I was honoured to be one of the many guests that attended the opening of the most recent exhibition by these very experienced and admired artists and teachers. The city location of 45 Downstairs makes it a venue well suited to the artworks that these five artists produce. They speak about the human condition and our society. They prompt us to think about the world around us. The reflect who we are as a nation and as people.

With a variety of mediums in the gallery space, I found a lot to look at and many stories covering the experiences, thoughts and lives of each artist. They openly reflected on who they are and what they care about.

On a personal note it was fun to catch up with so many art teachers from my own studies over the past three years at the event. Support from peers, respected mentors and fellow artists shows a strong community in the arts that is still flourishing in Melbourne.

This is another exhibition I recommend a visit to. The works are available to purchase and would make a great addition to any art collection. You would also be supporting local living artists in their careers.

A few views from the opening night.

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Alex Seton

Artist Talk at McClelland Gallery

Sculpture Exhibition: Last Resort

Alex grew up with parents who, even though in the technical profession encouraged him in his interests in books, art, science fiction and philosophy. At the early age of eight he picked up his first sculpture materials. He went on to study art at college and studied photography as well as his main interest which was history, as he was unclear about what he wanted to do as a career.

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Copyright for Artists and Designers

During my career as both artist and graphic designer/artist I have had experiences concerning copyright that I would like to pass on to impress upon fellow artists the need to be wary of copyright infringement and the various things that it covers.

Many of us use the Internet for information and inspiration, as we study we may also use it for research. Whilst using your computer there are things to keep in mind.

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Copyright for Artists

Assigning Copyright Versus Licensing – What’s the Difference?

When you exhibit you may be asked to sign a document to allow reproduction of your work for an event. I want to talk about the difference between assigning copyright and licensing copyright.

I will put this in the easiest way to remember, which is what I use. One is like selling something so you don’t own it any more, the other is like leasing or renting something, which you still own and will get back.

Assigning copyright is like selling it off. Once you assign copyright of your image you have given away your rights to it. Whomever you have assigned it to now holds the copyright and you will need to get permission from them to use the image you created. This may sound strange as you created it, but you are in fact selling off ALL your rights to use that image or artwork in any of your material for promoting, advertising, reproduction etc.

Licensing copyright is for a given time or event. You may license it for an exhibition for advertising purposes, but once that show is over your copyright reverts to you and the event organisers can not use it again without your permission.

When you read contracts for events, exhibitions etc, do so carefully to make sure that the wording covers you getting back your copyright for your artworks and prevents further use without your permission, or worse, cuts you off from using your original work for your own business.

Ivan Durrant

Visiting Artist Talk at Chisholm Frankston

Biography:

Ivan Durrant is an Australian painter, performance artist and writer. Much of his art has had “great shock value”, therefore Durrant is often described as L’enfant terrible of Australian art and is known by many as a controversial and provocative artist. Although known widely for his 1975 “Slaughtered Cow Happening”, the larger proportion of Durrant’s work consists of paintings using a self-developed style of “Super-Realism”.

His painting technique began in a childlike, folksy style, evolving into paintings of extreme photo realism and sculptures of illusionistic still-lives of butchered meats, pigs’ heads (MPRG). Ivan spent a short time working in a prosthetics laboratory at Royal Melbourne Hospital and was able to create lifelike body parts. This skill was carried over into an ability to create convincingly accurate sculptures of ears, hands, pig heads and various cuts of meat. His most recent works explore the colours and action of Australian Rules football and horse racing and work has ranged from paintings to photography, public performance and installations, short films and sculpture.

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Stephen Eastaugh

Visiting Artist at Frankston Chisholm

Artist Talk and Short Movie Covering Antarctic Residency

Before any artist chat I like to get some information about the experience and qualifications of the person I am about to listen to. That little bit of research beforehand can set you up to listen with some understanding of where the person is coming from.

Stephen’s biography was extensive and impressive. He has a BFA from Melbourne University (VCA), a Diploma of Education from the University of Tasmania, and an Honorary Certificate of Achievement from the University of Oslo. He has also held over sixty solo exhibitions, several group exhibitions and is in the collections of the National Gallery of Australia, the National Gallery of Victoria and several other prestigious galleries worldwide.

With a few decades of practical experience as a working artist and teacher it was a pleasure to listen to this entertaining and informative speaker.

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Sarah Faulkner

Visiting Artist Talk at Chisholm Frankston

Painter Sarah Faulkner gave and interesting talk about her career and her paintings today. Having start at RMIT and Prahran Institute around the 1980s Sarah now has an impressive career of over thirty years.

With a good amount of experience producing paintings and working in the arts, Sarah had a wide range of work to show us as well as stories of travel to such places as Italy, France, Central and South America and India. Always with her it seems, was her sketch book and gauche paints.

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